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 EM_SNCover.jpg (63614 bytes)          Eva Mae LeFevre
Southern Gospel Music’s First Lady

Singing News Cover Story, April, 2000
By Tim Gardner, Singing News Associate Features Editor


    The trouble in telling Eva Mae LeFevre’s story rests with finding the right way to begin. There is almost too much to say.

    You can cite the lengthy list of her Gospel Music peers and fans who consider her to be one of the all-time greatest - and most versatile - personalities in the industry. But that still doesn’t adequately frame her achievements. You can discuss the numerous awards and honors she has received in a career that spans more than seven decades, and includes memberships in four Gospel Music Halls of Fame as well as being the first inductee from Gospel in the Georgia Music Hall of Fame. You can relate many examples of Eva Mae’s strength, courage, unselfishness and perseverance during various trials she and her family endured. There’s also so many other things to tell in any story about Eva Mae LeFevre.

    We start her story at its most obvious and logical point, the beginning. To fully understand the impact she has made on Gospel Music, one must first know her heritage.

    The eldest of nine children of Church of God preacher Harry L. Whittington and his wife Lydia McClendon, Eva Mae was born in 1917 in McCall, South Carolina. She started singing and playing the pump organ at her father’s revivals from the age of four. "I couldn’t reach the pedals to pump the organ, so I would play the keys and Daddy would sit on the stool with me and pump the pedals!

    "I am so thankful for a special gift from the Lord as far as playing the piano and organ was concerned. I could play any kind of music-Gospel, classical, blues, jazz, love songs or whatever: it didn’t matter. I knew and could play every kind of music going in the 20’s and 30’s," Eva Mae recalls.

    Eva Mae met Urias LeFevre in 1925 and they married in 1934, at which time she began traveling with her husband and his brother Alphus, as part of The LeFevre Trio, which Urias and Alf had formed with their sister Maude in 1921. Eva Mae’s first encounter with the LeFevre brothers was interesting to say the least, and Eva Mae throws her head back, and laughs her famous, joyous laugh as she recalls.

    "I met Urias when he and his brother came to my church to sing. I was only 8 years old, but Urias told Alphus after that meeting that he had just met his wife. Urias was 16 then, and I really didn’t notice him too much at that time. It was Alphus who could play the piano so he had my full attention. But Urias and I married when I was 17 and he was 24."

    Once Eva Mae began singing and playing the piano with Urias and "Uncle Alf", The LeFevres rapidly became synonymous with Gospel Music. The LeFevre Trio was among the forerunners in setting the standard for mixed groups. Eva Mae and her dear friend, Lena (Mom) Speer, are given credit for being the first ladies to change the world of Gospel Music and the first females to travel extensively in the field. Eva Mae set high standards with her vocal and instrumental work, and from World War II forward, Eva Mae was the LeFevre’s delightful emcee-the first female emcee in Gospel Music.

    She well-remembers her early years in Gospel Music and says those were some of the most difficult times financially for the group, but also some of the most rewarding. "Times had been tough for Urias and Alphus before I joined the group. They even got tougher during the 30’s with the Great Depression wiping just about everything out. People were poor, but they were God-fearing. We sang at every church in Atlanta and the surrounding area-sometimes for an offering of a dollar or two - not much for three people. When we traveled we stayed in people’s homes and we treated as special guests, like the old time circuit riding preachers."

    Eva Mae laughs again: "My younger friends in the Gospel field might find the life without the big buses and motels a bit trying. It takes dedication to finish a singing and ride four or five hundred miles with three quartet men, two or three small children and Uncle Alf’s guitar, all crammed into one big Hudson! (Fans will know the LeFevre’s graduated from that Hudson to Cadillac limousines and one to one of the first and most commodious buses in the industry.) "Many times we would arrive in a town and ride up and down the streets with a megaphone ‘advertising’ that ‘The LeFevres are going to be at such and such place tonight, come and hear us! But the LeFevres were in some of the best services we were ever in back in those days, and God certainly led us into much better times," she recalls wistfully.

    In the case of The LeFevres, the word "pioneer" can never be overused. The LeFevres introduced to Gospel Music the art of versatility with their expertise on so many different instruments. No female performer has had more of a positive impact on the industry during the past century than Eva Mae, the very heart and soul of The LeFevres. She was one of the greatest with her triple duty singing, playing and emcee work. Eva Mae’s alto voice was pretty and pleasing and she possessed arguably the most recognizable style of any pianist who ever graced a Gospel stage - simply put, she could play the dickens out of a piano.

    A superb rhythm pianist, Eva Mae could take off with her right hand when it was her time to be featured, but when she was accompanying the group, she laid perfect rhythm with her steady, smooth dependable piano beat. Fans still remember and request songs such as "Scatter Sunshine", "When The Saints Go Marching
In", "I Walk With Jesus" and "Keep On The Firing Line". The LeFevres were one of the first Gospel Music groups to sing on the radio. They started their own program on WGST after their arrival in Atlanta in 1939. Eva Mae calls this their first big break in the field. Another top accomplishment in their storied history was the creation of their highly successful television show, The Gospel Singing Caravan, in 1959. The LeFevres headed the program and worked with three great groups: The Blue Ridge Quartet, The Prophets and The Johnson Sisters.Attending a concert by these four groups was a major event and one of the most electrifying Gospel music had to offer. The Caravan will go down as one of the most successful "package programs" ever assembled. The show was televised on sixty-five stations for a decade and included other guest groups-with The LeFevres and Speer Family eventually partnering in a "new" Caravan. The LeFevres (and their successors the Nelons) were also popular guests on the Gospel Singing Jubilee television program during that period.

    In addition to her Hall of Fame memberships, Eva Mae was named "Queen of Gospel Music" by several organizations, including in 1974, The Singing News magazine-the printed voice of Southern Gospel Music.  She was an inaugural inductee in "The Piano Roll of Honor" at The Grand ‘Ole Gospel Reunion in 1996, and has been featured on its "This Is Your Life" program .

    Urias, Eva Mae and Uncle Alf sang as a trio for years, but added personnel as the years rolled by: Big Jim Waites, Little Troy Lumpkin, Johnny Atkins, Hovie Lister, Rex Nelon, Jimmy Jones, Ron Hutchins and many other talented individuals have been a part of The LeFevres. Sons Pierce and Mylon were also popular
personnel for a number of years. The LeFevres popularity never waned through the 50s, 60s and 70s. They always had a unique sound with special attention to harmonies.

    "There has never been a stylist like Eva Mae LeFevre in Southern Gospel Music," said Ron Hutchins. "She is a very special lady whom I admire and love very much.  I will always treasure the time I spent singing with the LeFevres. Eva Mae was truly the foundation of the success of the LeFevres."

    With top hit songs such as "Just A Closer Walk With Thee", "Take My Hand Precious Lord", "Stepping On The Clouds", "I Love To Call His Name", "All Aboard", "Heaven Bound Train" and "He’ll Hold My Hand", The LeFevres became an institution in Southern Gospel Music. They were nominated several times for the Grammy Award, both as a group and as individual artists.

    Urias retired from the Gospel Music circuit in the mid 1970s. He eventually sold the group to Rex Nelon, the LeFevre longtime excellent bass singer. Eva Mae remained with the group to help Rex in every possible way. When Eva Mae "came off the road", Rex changed the name to the Rex Nelon Singers and, eventually, simply The Nelons.

    "Rex didn’t think it was right to use the LeFevre name, even though that was the name the group was built on, when, in fact, there was no LeFevre in the group," Eva Mae says. Rex remained one of Eva Mae’s most cherished friends until he went home to be with Jesus in January, 2000. Eva Mae is proud of the Nelons and their outstanding contributions to Southern Gospel Music.

    Various hard times and tragedies over the last two decades have given Eva Mae a stronger faith. Urias and Eva Mae had a large and happy family-Pierce, Meurice, Andrea, Mylon and Monteia. In 1979, Urias passed away. Eva Mae’s mother died a month later. Then, in 1985,  Pierce was killed in a plane crash. "Uncle Alf" followed in 1987, leaving Eva Mae as the only surviving member of the popular Trio. Even when losing a grandchild to cancer at age 24, Eva Mae’s faith has never waned: "I’ve got more and more waiting for me on the other side!"

    Son Mylon became addicted to drugs early in his life, but is today a great minister for the cause of Christ and a joy to his mother: "At age 18, Mylon wrote 'Without Him' , I think one of the greatest Gospel songs ever written. It’s been translated into many languages. I walked into a cathedral in England and heard the choir there sing it. Elvis Presley recorded it and also sang it a lot.

    "I prayed for 30 years that Mylon would find the right way, and that, of course, is the way of the Lord. The day his father died, Mylon made a permanent change. Today, he sings and preaches the Gospel in many countries. I’m so proud of him and thankful to God for the way he has turned out," Eva Mae states.

        Eva Mae’s youngest child, Monteia, is severely handicapped but provides her mother great blessings:

       "Monteia is 44 years old now. She can walk but has never spoken a word. I spend a good amount of time with her. I take her places with me, and she always expects her ice cream and cookies when I’m with her. The Lord has a purpose for Monteia. Whenever I am down and blue, I can spend time with her and then everything is all right," says Eva Mae.

       In 1985, Keith Thornton, a former Dixie Echoes member, joined Eva Mae and they sang around the country for 13 years. Keith also passed away in 2000. "I was blessed to become acquainted with Keith. He and I first sang together about the time of Pierce’s plane crash-Pierce had planned to start singing and traveling some with me. I was devastated with Pierce’s loss and so many other tragedies. Three months later, Keith called me and said he felt it was the Lord’s objective for him to sing with me."

    Eva Mae adds: "I promised the Lord many years ago that as long as I had breath in my body that I would sing for Him, and I’m so thankful he is letting me do just that. I am seeing people blessed in a mighty way."

    While, Eva Mae has blessed thousands, possibly millions of people through the years, recent years have seen her music has been exposed to a brand new group of people around the world as a result of her many appearances on the Gaither Videos. Eva Mae recalls the very first taping-Homecoming. "We had no idea what was to come from that taping. Bill called me and said he wanted some old (she chuckles) singers to back him on one song, "Where Could I Go". As it happened, since he had some of his favorite old timers in the same room and decided to videotape it, and we had a ball. We taped the first song, then I sat down at the piano and played an old LeFevres number "Scatter Sunshine" . They had me stay at the piano and we sang "I’ll Meet You In The Morning". So many people have been touched in a special way by that tape and the ones that followed. I hope to be around to be on many more. Bill and Gloria have a special anointing and are dear friends to us all."

    At age 83, Eva Mae continues her Gospel Music work with the enthusiasm of a younger artist. She sings every chance she gets, and she recently released a new solo project entitled "A New Anointing", which features many of her most requested songs down through the years, as well as some of her newer numbers.

    Eva Mae enjoys spending time with her family when she is not traveling and singing. All her children, except Mylon, live near her. She also has 11 grandchildren and eight great-grandchildren. Her father is 101 years old and lives in the Atlanta area also.

    "Because of my work, I wasn’t able to be at home with my children as much as I would have liked, but I have had the opportunity to spend a great deal of time with my grandchildren and great-grandchildren. My daddy still drives to see me-and it scares me to death to think of him driving in Atlanta, Georgia! But he is in good health for his age and is such an inspiration and
influence in my life. My family is very important, but I still love to go out and sing!

    "I just can’t say how happy I am. I have a lot of faith and a great amount of hope. I can never thank God enough for what He has done for me. I want to sing and play for Him until I die or we’re called home. I‘m so happy He is using me to still sing and witness
to people.

    "Gospel music is really different now than it was when I first started, but people still love good songs and good music. I just try to give them the best I can. We were never in Gospel Music for money, but to see lost people come to know Jesus Christ."

    And for Eva Mae, that says it all.

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Note:
Eva Mae LeFevre may be contacted by writing to her at:
P.O. Box 681081, Marietta, Georgia 30068-0019
or by calling 770-850-1977.

SPECIAL THANKS TO THE SINGING NEWS MAGAZINE FOR PERMISSION TO REPRINT THIS ARTICLE . . .2000 Copyright by Singing News, Inc . . . Used by permission.

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